GENERAL

Textbooks
Ludwig Hendenriech and Wolfgang Lotz, Architecture in Italy 1400 to 1600 (The Pelican History of Art), Harmondsworth, 1974. New editions by Yale University Press: Ludwig Heydenrich, Architecture in Italy 1400-1500, ed. Paul Davies, New Haven and London, 1996; Wolfgang Lotz, Architecture in Italy 1500-1600, ed. Deborah Howard, New Haven and London, 1995

Peter Murray, The Architecture of the Italian Renaissance, London, 1969.

Marvin Trachtenberg and Isabelle Hyman, Architecture from Prehistory to Post-Modernism, New York, 1986.

Frederick Hartt, History of Italian Renaissance Art, 3rd ed., New York, 1987.

General works on architecture

Jacob Burckhardt, The Architecture of the Italian Renaissance, trans. J. Palmers and ed. P. Murray, London, 1985.

A. Venturi, L'architettura del Quattrocento, Parte prima, Milan, 1923.

Rudolf Wittkower, Architectural Principles in the Age of Humanism, London, 1971.

Rudolf Wittkower, Idea and Image. Studies in the Italian Renaissance, London, 1978.

L. Benevolo, Storia dell'architettura del Rinascimento, Bari, 1968.

Wolfgang Lotz, "Die ovalen Kirchenräume des Cinquecento," Römisches Jahrbuch für Kunstgeschichte 7 (1955): pp. 7-99.

Wolfgang Lotz, Studies in Italian Renaissance Architecture, Cambridge, Mass. and London, 1977, especially "The Rendering of the Interior in Architectural Drawings of the Renaissance," pp. 1-41

James Ackerman, The Reinvention of Architectural Drawing 1250-1550 (Soane Lecture), London, 1998

James Ackerman, Distance Points: Essays in Theory and Renaissance Art and Architecture, Cambridge, Mass. and London, 1991.

Christoph L. Frommel, Der Römische Palastbau der Hochrenaissance, 3 vols., Tübingen, 1973.

Arnaldo Bruschi, Corrado Maltese, Mandredo Tafuri and Renato Bonelli, eds., Scritti rinascimentali di architettura, Milan, 1978. Works by Federico da Montefeltro, Luca Pacioli, Francesco Colonna, Leonardo, Bramante, Francesco di Giorgio, Cesare Cesariano. There is an Italian edition of Raphael's letter to Leo X; for an English translation, see Carlo Pedretti, A Chronology of Leonardo da Vinci's Architectural Studies after 1500, Geneva, 1962, pp. 155-171.

Manfredo Tafuri, Ricerca del Rinascimento: Principi, città, architetti, Turin, 1992.

David Thomson, Renaissance Architecture. Critics, Patrons, Luxury, Manchester and New York, 1993.

Peter Thornton, The Italian Renaissance Interior 1400-1600, New York, 1991.

Henry Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994.

Michele Furnari, Formal Design in Renaissance Architecture from Brunelleschi to Palladio (1993), New York, 1995.

Hermann Schlimme, Die Kirchenfassade in Rom. 'Reliefierte Kirchenfronten' 1475-1765, Petersberg, 1999.

Alessandra Capuano, Iconologia della facciata nell'architettura italiana. La ricerca teorico-compositiva dal trattato di Vitruvio alla manualistics razionale (Quaderni del Dottorato di Rome in Composizione Architettonica), Rome, 1995.

Cultural History

Jacob Burckhardt, The Civilization of the Italian Renaissance (1860), English trans. 1878.

Edgar Wind, Pagan Mysteries in the Renaissance, London, 1958.

André Chastel, Art et humanisme à Florence au temps de Laurent le Magnifique. Etudes sur la Renaissance et l'Humanisme platonicien, Paris, 1961.

Hans Baron, The Crisis of the Early Italian Renaissance. Civic Humanism and Republican Liberty in an Age of Classicism and Tyranny, Princeton, 1966.

Peter Partner, Renaissance Rome 1500-1559: A Portrait of a Society, Berkeley, 1976.

Jean Delumeau, Vie économique et sociale de Rome dans la seconde moité du XVIe siècle, 2 vols., Paris, 1957.

John Hale, Florence and the Medici: The Pattern of Control, London, 1977.

Lauro Martines, Power and Imagination. City-States in Renaissance Italy, New York, 1979.

Eugenio Garin, ed., Renaissance Characters, Chicago and London, 1991. [L'uomo del Rinascimento, Bari, 1988]. Especially Michael Mallett, "The Condottiere," pp. 22-45; Massimo Firpo, "The Cardinal," pp. 46-97; Peter Burke, "The Courtier," pp. 98-122; André Chastel, "The Artist," pp. 180-206; Margaret King, "The Woman of the Renaissance," pp. 207-249.

Eugenio Garin, Science and Civic Life in the Italian Renaissance, trans. P. Munz, Gloucester, Mass., 1978.

Peter Burke, The Italian Renaissance. Culture and Society in Italy, rev. ed., Princeton, 1987.

Peter Burke, The Historical Anthropology of Early Modern Italy, Cambridge, 1987.

Eric Cochrane, Italy 1530-1630, ed. Julius Kirshner, London and New York, 1988.

F. W. Kent and Patricia Simons, Patronage, Art, and Society in Renaissance Italy, Canberra and Oxford, 1987.

Michael Baxandall, Painting and Experience in Fifteenth-Century Italy, 2nd ed., Oxford, 1988.

John D'Amico, Renaissance Humanism in Papal Rome: Humanists and Churchmen on the Eve of the Reformation, Baltimore and London, 1983.

Nicolai Rubinstein, "The Beginnings of Political Thought in Florence. A Study in Medieval Historiography," Journal of the Warburg and Courtauld Institutes 5 (1942): pp. 198-227.

Donald Weinstein, "The Myth of Florence," in Florentine Studies. Politics and Society in Renaissance Florence, Nicolai Rubinstein, ed., London, 1968, pp. 15-44.

Joan Kelly, "Did Women Have a Renaissance?," in Women, History, and Theory: The Essays of Joan Kelly, Chicago, 1984, pp. 19-50

Mary Hollingsworth, Patronage in Renaissance Italy: from 1400 to the Early Sixteenth Century, London, 1993.

Mary Hollingsworth, Patronage in Sixteenth-Century Italy, London, 1996.

Francesco Paolo Fiore, ed., Il Quattrocento (Storia dell'architettura italiana), Milan, 1998.

Stefano Baldassarri and Arielle Saiber, ed., Images of Quattrocento Florence. Selected Writings in Literature, History, and Art, New Haven and London, 2000.

ARCHITECTS AND CITIES

Giotto and his Precedessors

Walter Horn, "Das florentiner Baptisterium," Mitteilungen des kunsthistorischen Instituts in Florenz 5 (1938): pp. 100-

Marvin Trachtenberg, The Campanile of Florence Cathedral. "Giotto's Tower", New York, 1971.

Franklin Toker, "Arnolfo's S. Maria del Fiore: A Working Hypothesis," Journal of the Society of Architectural Historians 42 (1983): pp. 101-20.

Brunelleschi

Antonio di Tuccio Manetti, The Life of Brunelleschi, ed. H. Saalman and trans. C. Enggass, University Park and London, 1970.

Frank Prager and Gustina Scaglia, Mariano Taccola and His Book De Ingeneis, Cambridge, Mass. and London, 1972.

Eugenio Battisti, Brunelleschi: The Complete Work, London, 1981.

Filippo Brunelleschi: La sua opera e il suo tempo, 2 vols., Florence, 1980. An overview of these volume is given by C. Elam in Art History 5 (1982): pp. 489-97. See especially H. Burns, "Un disegno architettonico di Alberti e la questione del rapporto fra Brunelleschi ed Alberti," pp. 105-24; V. Hoffmann, "L'origine del sistema architettonico di Filippo Brunelleschi," pp. 471-76.

Leonardo Benevolo, Stefano Chieffi, Giulio Mezzetti, "Indagine sul S. Spirito di Brunelleschi," Quaderni dell'Istituto di Storia dell'Architettura dell'Università di Roma 85/90 (1968): pp. 1-52.

Charles Stinger, "Ambrogio Traversari and the 'Tempio degli Scolari' at S. Maria degli Angeli in Florence," Essays Presented to Myron P. Gilmore, ed. Sergio Bertelli and Gloria Ramakus, Florence, 1978, vol. 1, pp. 271-86.

Isabelle Hyman, "Towards Rescuing the Lost Reputation of Antonio di Manetto Ciaccheri," Essays Presented to Myron P. Gilmore, ed. Sergio Bertelli and Gloria Ramakus, Florence, 1978, vol. 2, pp. 261-80.

D. Zervos, "Filippo Brunelleschi's Political Career," Burlington Magazine 121 (1979): pp. 630-39.

John Onians, "Brunelleschi: Humanist or Nationalist," Art History 5 (1982): pp. 259-72

Paolo/Alberto Rossi, Le cupole del Brunelleschi. Capire per conservare, Bologna, 1982.

Marvin Trachtenberg, "Brunelleschi, 'Giotto' and Rome," Renaissance Studies in Honor of Craig Hugh Smyth, Florence, 1985, vol. 2, pp. 675-86.

Marvin Trachtenberg, "What Brunelleschi Saw: Monument and Site at the Palazzo Vecchio in Florence," Journal of the Society of Architectural Historians 47 (1988): pp. 14-44.

Howard Saalman, "Form and Meaning at the Barbadori-Capponi Chapel in S. Felicita," Burlington Magazine 131 (1989): pp. 532-539.

Innocenti:
Iris Origo, "The Domestic Enemy: The Eastern Slaves in Tuscany in the Fourteenth and Fifteenth Centuries," Speculum 30 (1955): pp. 321-366, esp. pp. 346-348

Philip Gavitt, Charity and Children in Renaissance Florence. The Ospedale degli Innocenti, 1410-1536, Ann Arbor, 1990.

Heinrich Klotz, Filippo Brunelleschi. The Early Works and the Medieval Tradition, New York, 1990.

Marvin Trachtenberg, "On Brunelleschi's Old Sacristy as Model for Early Renaissance Church Architecture," in L'église dans l'architecture de la Renaissance, Jean Guillaume, ed., Paris, 1995, pp. 9-39.

Marvin Trachtenberg, "Why the Pazzi Chapel is not by Brunelleschi," Casabella 635 (June 1996): pp. 58-77.

Michelozzo

Harriet McNeal Caplow, "Michelozzo at Ragusa: New Documents and Revaluations," Journal of the Society of Architectural Historians 31 (1972): pp. 108-19.

Cupola of Florence Cathedral

G.B. Nelli, Piante ed alzati interiori ed esterni dell'insigne chiesa di S. Maria del Fiore, Florence, 1755.

R. Mainstone, "Brunelleschi's Dome of S. Maria del Fiore and Some Related Structures," Transactions of the Newcomen Society 42 (1969-70): pp. 107-26.

R. Mainstone, "Brunelleschi's Dome," The Architectural Review (London) 42 (September 1977): pp. 158-66.

Howard Saalman, Filippo Brunelleschi: The Cupola of S. Maria del Fiore, London, 1980. Important review by Marvin Trachtenberg in Journal of the Society of Architectural Historians, 42 (1983): pp. 292-97.

Howard Saalman, Filippo Brunelleschi. The Buildings, University Park, Pa., 1993.

Ghiberti and Donatello

Giuseppe Marchini, Ghiberti architetto, Florence, 1978.

Richard Krautheimer and Trude Krautheimer-Hess, Lorenzo Ghiberti, Princeton, 1970.

David Summers, Michelangelo and the Language of Art, Princeton, 1981, chapter 8, “Donatello architetto,” pp. 144-163.

Alberti
See separate Alberti Bibliography

The Early Renaissance Palace

M. Trachtenberg, The Campanile of Florence Cathedral, New York, 1971, chapter 7,
”Florentine Towers,” pp. 151-79.

R. Goldthwaite, "The Florentine Palace as Domestic Architecture," The American Historical Review 77 (1972): pp. 977-1012.

A. D. Fraser Jenkins, "Cosimo de Medici's Patronage of Architecture and the Theory of Magnificence," Journal of the Warburg and Courtauld Institutes 33 (1970): pp. 162-70.

F.W. Kent, A. Perosa, B. Preyer, P. Sanpaolesi and R. Salvini, Giovanni Rucellai ed il suo zibaldone II: A Florentine Patrician and his Palace, London, 1981. Especially F. W. Kent, "The Making of a Renaissance Patron of the Arts," pp. 9-75; and B. Preyer, "The Rucellai Palace," pp. 153-225. Review by H. Saalman in Journal of the Society of Architectural Historians, 47 (1988): pp. 82-90.

B. Preyer, "The 'Chasa over palagio' of Alberti di Zanobi: A Florentine Palace of about 1400 and its Later Remodeling," Art Bulletin 65 (1983): pp. 387-401.

R. Hatfield, "Some Unknown Descriptions of the Medici Palace in 1459," Art Bulletin 52 (1970): pp. 232-49.

I. Hyman, "Notes and Speculations on S. Lorenzo, Palazzo Medici, and an Urban Project by Brunelleschi," Journal of the Society of Architectural Historians 34 (1975): pp. 98-120.

H. Saalman, "The Palazzo Comunale in Montepulciano. An Unknown work by Michelozzo," Zeitschrift für Kunstgeschichte 28 (19650: pp. 1-46.

Caroline Elam, "Piazza Strozzi. Two Drawings by Baccio d'Agnolo and the Problems of a Private Renaissance Square," I Tatti Studies 1 (1985): pp. 105-35.

Caroline Elam, "Il Palazzo nel contesto della città: strategie urbanistiche dei Medici nel gonfalone del Leon d'Oro, 1415-1530," in Il Palazzo Medici Riccardi di Firenze, ed. Giovanni Cherubini and Giovanni Fanelli, Florence, 1990, pp. 44-57.

F. W. Kent, "Palaces, Politics and Society in Fifteenth-Century Florence," I Tatti Studies 2 (1987): pp. 41-70.

F. W. Kent and P. Simons, Patronage, Art and Society in Renaissance Italy, Oxford, 1987.

Carroll William Westfall, "Alberti and the Vatican Palace Type," Journal of the Society of Architectural Historians 55 (1974): pp. 101-121.

David Chambers, "The Housing Problems of Cardinal Francesco Gonzaga," Journal of the Warburg and Courtauld Institutes 39 (1976): pp. 21-58.

Christoph Frommel, "Il Palazzo della Cancelleria," in Il Palazzo dal Rinascimento a Oggi, Simonetta Valtieri, ed., Rome, 1989, pp. 29-54.

Charles Burroughs, "The building's face and the Herculean paradign: agendas and agency in Roman Renaissance architecture," RES 23 (1993): pp. 7-30.

Charles Burroughs, The Italian Renaissance Palace Façade: Structures of Authority, Surfaces of Sense, Cambridge, 2002.

Philip Jacks, "Michelozzo di Bartolomeo and the 'Domus Pulcra' of Tommaso Spinelli in Florence," Architectura (1996): pp. 47-83.

Dale Kent, Cosimo de' Medici and the Florentine Renaissance. The Patron's Oeuvre, New Haven and London, 2000, chapter 5, "The House of the Medici," pp. 215-328.

Marianna Brancia di Apricena, "La committenza edilizia di Paolo III Farnese sul Campidoglio," Römisches Jahrbuch der Bibliotheca Hertziana 32 (1997/98): pp. 409-77.

Pienza

Aeneas Sylvius Piccolomini (Pius II), Memoirs of a Renaissance Pope, trans. F. Gragg and ed. L. Gabel, New York, pp. 102-3, 280-92 (Pius II's description of Corsignano and its transformation into Pienza)

C. R. Mack, Pienza: The Creation of a Renaissance City, Ithaca and London, 1987.

Andreas Tönnesmann, Pienza. Städtebau und Humanismus, Munich, 1990.

K. Forster, "The Palazzo Rucellai and the Question of Typology in the Development of Renaissance Buildings," Art Bulletin 58 (1976): pp. 109-113.

Nicholas Adams, "The Acquisition of Pienza 1459-1464," Journal of the Society of Architectural Historians 44 (1985): pp. 99-110.

Nicholas Adams, "The Identification of the Palazzo Jouffroy, Pienza," Architettura. Storia e documenti 1/2 (1990): pp. 5-23

Christine Smith, Architecture in the Culture of Early Humanism. Ethics, Aesthetics, and Eloquence 1400-1470, Oxford, 1992, pp. 98-129

Jan Pieper, Pienza. Der Entwurf einer humanistischen Weltsicht, Stuttgart and London, 1997

Yvonne Elet, "Seats of Power: The Outdoor Benches of Early Modern Florence," Journal of the Society of Architectural Historians 61 (2002): pp. 444-69.

Urbino

Vespasiano da Bisticci, The Vespasiano Memoirs. Lives of Illustrious Men of th XVth Century, trans. W. George and E. Waters, London, 1926, pp. 98-111 (a passage from the life of Federico, Duke of Urbino)

P. Rotondi, Il Palazzo Ducale di Urbino, 2 vols., Urbino, 1950. One vol. English trans.

L. Heydenreich, "Federico da Montefeltro as a Building Patron," in Studies in Renaissance and Baroque Art Presented to Anthony Blunt, London, 1967, pp. 1-6.

Gerhard Eimer, "Francesco di Giorgios Fassadenfries am Herzogspalast zu Urbino," Festschrift Ulrich Middeldorf, Berlin, 1968, pp. 187-98.

Marilyn Lavin, "Piero della Francesca's Montefeltro Altarpiece: A Pledge of Fidelity," Art Bulletin 51 (1969): pp. 367-71.

Cecil Clough, "Federigo da Montefeltro's Patronage of the Arts, 1468-1482," Journal of the Warburg and Courtauld Institutes 36 (1973): pp. 129-44.

Cecil Clough, "Federigo da Montefeltro's Private Study in his Ducal Palace of Gubbio," Apollo 86 (October 1967): pp. 278-87.

Carroll William Westfall, "Chivlaric Declaration: The Palazzo Ducale in Urbino as a Political Statement," in Art and Architecture in the Service of Politics, ed. Henry Millon and Linda Nochlin, Cambridge, Mass., 1978, pp. 20-45.

Il Palazzo di Federico da Montefeltro (cat.), ed. Maria Luisa Polichetti, Urbino, 1985.

Maria Grazia Pernis, "Ficino's Platonism and the Court of Urbino: The History of Ideas and the History of Art," Ph.D. thesis, Columbia University, 1990.

Francesco Paolo Fiore, "L'architettura civile di Francesco di Giorgio," in Francesco di Giorgio architetto (cat.), Milan, 1993, pp. 74-125.

Francesco Paolo Fiore, "Le residenze ducali di Urbino e Gubbio, 'città in forma de palazzo'," Architettura. Storia e documenti 1/2 (1998): pp. 5-34.

Luciano Cheles, The Studiolo of Urbino. An Iconographic Investigation, University Park, PA., 1986.

Wolfgang Liebenwein, Studiolo. Storia e tipologia di uno spazio culturale (1977), ed. Claudi Cieri Via, Ferrara, 1992.

Olga Raggio, "The Liberal Arts Studiolo from the Ducal Palace At Gubbio," The Metropolitan Museum of Art Bulletin 54, no. 4 (Spring 1996).

Janez Höfler, Der Palazzo Ducale in Urbino unter den Montefeltro (1376-1508). Neue Forschungen zur Bau- und Ausstattungsgeschichte, Regensburg, 2004.

Mattero Ceriana, "Fra Carnevale e la pratica dell'architettura," in Fra Carnevale. Un artista rinascimentale da Filippo Lippi a Pietro della Francesca (cat.), Milan, 2004, pp. 97-135.

Rome in the '400

T. Magnuson, Studies in Roman Quattrocento Architecture, Rome, 1958.

Charles Stinger, The Renaissance in Rome, Bloomington, 1985.

Christoph Frommel, "Francesco del Borgo, Architekt Pius' II. and Pauls II.," Römisches Jahrbuch für Kunstgeschichte 20 (1983): pp. 107-54.

Christoph Frommel, "II: Palazzo Venezia, Palazzetto Venezia und S. Marco," Römisches Jahrbuch für Kunstgeschichte 21 (1984): pp. 71-164.

Luigi Spezzaferro, "La politica urbanistica dei papie le origini di via Giulia," in Via Giulia. Un' utopia urbanistica del '500, L. Salerno et al., Rome, 1973, pp. 15-64.

K. Weil-Garris and J. D'Amico, "The Renaissance Cardinal's Ideal Palace: A Chapter from Cortesi's De Cardinalatu," in Studies in Italian Art and Architecture, 15th through 18th Centuries, ed. H. Millon, Rome, 1980

Simonetta Valtieri, "Il ruolo dell'area compresa nell'ansa del Tevere nelle strategie papali dal medioevo fino al XV secolo," Quaderni dell'Istituto di Storia dell'Architettura dell'Università di Roma "La Sapienza", N.S. 15-20 (1990-92), (Saggi in onori di Renato Bonelli), I, pp. 335-44.

Carroll William Westfall, In this most perfect Paradise: Alberti, Nicholas V, and the Invention of Conscious Urban Planning in Rome, 1447-1455, University Park and London, 1974.

Charles Burroughs, From Signs to Design. Environmental Process and Reform in Early Renaissance Rome, Cambridge, Mass. and London, 1990.

Charles Burroughs, "A Planned Myth and a Myth of Planning," in Rome in the Renaissance: The City and the Myth, P.A. Ramsey, ed., Binghamton, 1982, pp. 197-221.

Christoph Frommel, Der Palazzo Venezia in Rom (Gerda henkel Vorlesung), Düsseldorf, 1982.

Nicole Riegel, "San Pietro in Montorio in Rom. Die Votivkirche der Katholischen Könige Isabella und Ferdinand von Spanien," Römisches Jahrbuch der Bibliotheca Hertziana 32 (1997/98): pp. 273-319.

Margaret Harvey, The English in Rome 1362-1420. Portrait of an Expatriate Community, Cambridge, 1999.

Francesco di Giorgio

Francesco di Giorgio Martini, Trattati di architettura ingegneria e arte militare, ed. Corrado Maltese, 2 vols., Milan, 1967.

Francesco di Giorgio Martini, Il codice Ashburnham 361 della Biblioteca Medicea Laurenziana di Firenze, ed. Pietro Marani, Florence, 1979.

Richard Betts, "Francesco di Giorgio," Macmillan Encyclopedia of Architects, New York and London, 1982, vol. 2, pp. 108-111.

Allen S. Weller, Francesco di Giorgio: 1439-1501, Chicago, 1943.

Roberto Papini, Francesco di Giorgio architetto, Florence, 1946.

Henry Millon "The Architectural Theory of Francesco di Giorgio," Art Bulletin 55 (1958): pp. 257-261.

Francesco Paolo Fiore, Città e macchine del '400 nei disegni di Francesco di Giorgio Martini, Florence, 1978.

Pasquale Rotondi, Francesco di Giorgio nel Palazzo Ducale di Urbino, Milan, 1970.

Howard Burns, "Progetti di Francesco di Giorgio per i conventi di San Bernardino e Santa Chiara di Urbino," in Studi Bramanteschi: Atti del Congresso Internazionale, Milan, 1970, pp. 293-311.

Marco Dezzi Bardeschi, ed., Francesco di Giorgio e l'ingegneria militare del suo tempo (cat.), Lucca, 1968.

Michael Dechert, "City and Fortress in the Works of Francesco di Giorgio: The Theory and Practice of Defensive Architecture and Town Planning," Ph.D. diss., Catholic University, Washington, D.C., 1983.

Michael Dechert, "The Military Architecture of Francesco di Giorgio in Southern Italy," Journal of the Society of Architectural Historians 49 (1990): pp. 161-180.

Carolyn Kolb, "The Francesco di Giorgio Material in the Zichy Codex," Journal of the Society of Architectural Historians 47 (1988): pp. 132-159.

Gustina Scaglia, Francesco di Giorgio. Checklist and History of Manuscripts and Drawings in Autographs and Copies from ca. 1470 to 1687 and Renewed Copies (1764-1839), Bethlehem, Pa., London and Toronto, 1992.

Francesco Paolo Fiore and Manfredo Tafuri, ed., Francesco di Giorgio architetto (cat.), Milan, 1993. English translation, Cambridge and Milan, 1999. See especially, Manfredo Tafuri, "Le chiese di Francesco di Giorgio," pp. 21-73; Francesco Paolo Fiore, "L'architettura civile di Francesco di Giorgio," 74-125; Nicholas Adams, "L'architettura militare di Francesco di Giorgio," pp. 126-162.

Francesco di Giorgio Martini, La traduzione del De Architectura di Vitruvio, ed. Marco Biffi (Strumenti e Testi, Scuola Normale di Pisa, 9), Pisa, 2002

Marco Biffi, "Una proposta di ordinamento del testo di architettura del Codice Zichy. Le origini della produzione teorica di Francesco di Giorgio Martini," Annali della Scuola Normale Superiore di Pisa, Classe di Lettere e Filosofia 2, no. 2 serie IV (1997): pp. 531-600.

Giuliano da Sangallo

Cornelius von Fabriczy, Die Handzeichnungen Giuliano's da San Gallo, Stuttgart, 1902.

Rudolf Falb, Il taccuino senese di Giuliano da San Gallo, Siena, 1902.

Christian Hülsen, Il libro di Giuliano da Sangllo. Codice Vaticano Barberiniano latino 4424, 2 vols., Leipzig, 1910. Reprint, Città del Vaticano, 1984

Giuseppe Marchini, Giuliano da Sangallo, Florence, 1943.

Philip Foster, A Study of Lorenzo de' Medici's Villa at Poggio a Caiano, New York and London, 1978.

Stefano Borsi, Giuliano da Sangallo. I disegni di architettura e dell'antico, Rome, 1985.

Linda Pellecchia, "The Patron's Role in the Production of Architecture: Bartolomeo Scala and the Scala Palace," Renaissance Quarterly 42 (1989): pp. 258-291.

Caroline Elam, "Lorenzo de' Medici and the Urban Development of Renaissance Florence," Art History 1 (1978): pp. 43-66.

A. Tönnesmann, Der Palazzo Gondi in Florenz, Worms, 1983

Paul Davies, "The Madonna delle Carceri in Prato and Italian Reansisance Pilgrimage Architecture," Architectural History 36 (1993): pp. 1-18

Phyllis Williams Lehmann, "The Basilica Aemilia and S. Biagio at Montepulciano," Art Bulletin 64 (1982): pp. 124-131.

Baccio Pontelli

Christoph Frommel, "Kirche und Tempel: Giuliano della Roveres Kathedrale Sant'Aurea in Ostia," in Festshcrift für Nikolaus Himmelmann, ed. Hans-Ulrich Cain, Hanns Gabelmann, Dieter Salzmann, Mainz am Rhein, 1989, pp. 491-505.

Manuela Morresi, "Baccio Pontelli tra romanico e romano: la chiesa di S. Maria Nuova a Orciano di Pesaro, il Belvedere di Innocenzo VIII e il palazzo della Cancelleria," Architettura. Storia e documenti (1991/96): pp. 99-151.

Leonardo

Francesco Malaguzzi Valeri, La Corte di Lodovico il Moro: la vita privata e l'arte a Milano nella seconda metà del quattrocento, 4 vols., Milan, 1913-23.

K. Clark, Leonardo da Vinci, London, 1939; new ed. 1988.

L. Heydenreich, Leonardo da Vinci, New York and Basel, 1974.

Ladislao Reti, ed. The Unknown Leonardo, New York, 1974. Influence of the rediscovered Madrid codex on Leonardo studies. Especially Ludwig Heydenreich, "The Military Architect," pp. 136-165.

M. Kemp, Leonardo da Vinci, the Marvellous Works of Nature and Man, London, 1981.

P. Galluzzi and J. Guillaume, eds., Leonardo da Vinci. Engineer and Architect (cat.), Montreal, Museum of Fine Arts, 1987. See especially: André Chastel, "The Problem of Leonardo's Architecture in the Context of his Scientific Theories," pp. 193-205; Jean Guillaume, "Leonardo and Architecture," pp. 207-286; Luigi Firpo, "Leonardo as Urban Planner," pp. 287-301; Pietro C. Marani, "Leonardo, Fortified Architecture and its Structural Problems," pp. 303-314.

Paolo Galluzzi, Renaissance Engineers From Brunelleschi to Leonardo da Vinci (cat.), Florence, 1996.

Leonardo da Vinci (exhibition catalogue), London, Hayward Gallery, 1989.

Carlo Pedretti, A Chronology of Leonardo da Vinci's Architectural Studies after 1500, Geneva, 1962.

Carlo Pedretti, Leonardo da Vinci: the Royal Palace at Romorantin, Cambridge, Mass. 1972, part I, chapters. 1, 3, 7; part II, chapters 2, 3.

Carlo Pedretti, Leonardo architect, London, 1986 (review by J.S.Ackerman in Journal of the Society of Architectural Historians 46 (1981): pp. 66-68.)

L. Firpo, Leonardo architetto e urbanista, Turin, 1971.

James Ackerman, "The Anticipation of Cinquecento Architecture in Church Designs by Leonardo da Vinci," in Studi di Storia dell'Arte in onore di Maria Luisa Gatti Perer, ed. Marco Rossi and Alessandro Rovetta, Milan, 1999, pp. 197-204.

Bramante

Franz Graf Wolff Metternich, "Bramante, Skizze eines Lebensbildes," Römische Quartalschrift 63 (1968): pp. 1-28.

Arnaldo Bruschi, Bramante, London, 1977 (condensed English version of the big Bramante architetto, Bari, 1969).

Arnaldo Bruschi, "Bramante e la funzionalità. Il Palazzo dei Tribunali: 'turres et loca fortissima pro commoditate et utilitate publica'," Palladio 14 (1994): pp. 145-56.

Luciano Patetta, "Bramante e la trasformazione della basilica di Sant'Ambrogio a Milano," Bollettino d'Arte 21 (September -October 1983): pp. 49-74.

Bramante a Milano (1986), special numbers of Art Lombarda, 68, 1986/3; 69, 1986/4; 86-87, 1988/3-4.

Richard Schofield, "Florentine and Roman Elements in Bramante's Milanese Architecture," in Florence and Milan: Comparisons and Relations, ed. C.H. Smyth and G. C. Garfagnini (conference 1982-84), Florence, 1989, volume 1, pp. 201-222.

Richard Schofield, "Amadeo, Bramante and Leonardo and the tiburio of Milan Cathedral," Achademia Leonardi Vinci. Journal of Leonardo Studies and Bibliography of Vinciana 2 (1989): pp. 68-100.

Richard Schofield, "Ludovico il Moro's Piazzas," Annali di architettura 4-5 (1992-1993): pp. 157-167.

J.S. Ackerman, The Cortile del Belvedere, Vatican City, 1954.

Studi Bramanteschi: Atti del Congresso Internazionale, Milan, 1970. Especially James Ackerman, "Notes on Bramante's Bad Reputation," pp. 339-349; Hubertus Günther, "Bramantes Hofprojekte um den Tempietto und seine Darstellung in Serlios drittem Buch," pp. 483-500; J. Shearman, "Il 'tiburio' di Bramante," pp. 567- ; Jürgen Zänker, "Il primo progetto per il santuario di Santa Maria della Consolazione a Todi e la sua attribuzione," pp. 603-615.

C. Robertson, "Bramante and Michelangelo," Journal of the Warburg and Courtauld Institutes 41 (****): pp. 91-105.

Deborah Howard, "Bramante's Tempietto: Spanish Royal Patronage in Rome," Apollo (October 1992): pp. 211-217.

Richard Tuttle, "Julius II and Bramante in Bologna," Le arti a Bologna e in Emilia dal XVI al XVII secolo (Acts of the 24th International Congress of the History of Art, 4), ed. E. Emiliani, Bologna, 1982, pp. 3-8

Mark Wilson Jones, "The Tempietto and the Roots of Coincidence," Architectural History 33 (1990): pp. 1-28

Christoph Frommel, "I tre progetti bramanteschi per il Cortile del Belvedere," in in Matthias Winner, Bernard Andreae and Carlo Pietrangeli, Il Cortile delle Statue. Der Statuenhof des Belvedere im Vatikan (1992), Mainz, 1998, pp. 17-66

Richard Schofield and Grazioso Sironi, "Bramante e la Canonica di Sant'Ambrogio a Milano," Annali di Architettura, 9, 1997, pp. 155-85

Christiane Denker Nesselrath, Bramante's Spiral Staircase, Città del Vaticano, 1996

Richard Schofield and Grazioso Sironi, "Bramante and the Problem of Santa Maria presso San Satiro," Annali di Architettura, 12, 2000, pp. 17-57

Christoph Frommel, Luisa Giordano and Richard Schofield, eds., Bramante milanese e l'architettura del Rinascimento lombardo, Venice, 2002

Julius II

Christine Shaw, Julius II. The Warrior Pope, Oxford, 1993

Early St. Peter's

Heinrich von Geymüller, Les projets primitifs pour la basilique de Saint-Pierre de Rome, Paris and Vienna, 1875. German edition: Die ursprünglichen Entwürfe für Sanct Peter in Rom, Vienna and Paris, 1875

Theobald Hofmann, Entstehungsgeschichte des St. Peter in Rom, Zittau i.S., 1928

Graf Wolff Metternich, Die Erbauung der Peterskirche zu Rom im 16. Jahrhundert, Vienna and Munich, 1972 (plates of all the early drawings for St. Peter's).

Graf Wolff Metternich, Bramante und St. Peter, Munich, 1975 (his collected essays on St. Peter's).

Graf Wolff Metternich, Die frühen St.-Peter-Entwürfe 1505-1514 (Römische Forschungen der Bibliotheca Hertziana, 25), ed. Christof Thoenes, Tübingen, 1987.

J. Ackerman, The Architecture of Michelangelo, ch. 8: "The Basilica of St. Peter's."

Meg Licht, "I Ragionamenti--Visualizing St. Peter's," JSAH, XLIV, 1985, pp. 111-128.

Ian Campbell, "The new St. Peter's: Basilica or Temple?," Oxford Art Journal, IV, 1981, pp. 3-8

Christoph Frommel, "Die Peterskirche unter Papst Julius II. im Licht neuer Dokumente," Römisches Jahrbuch für Kunstgeschichte, XVI, 1976, pp. 57-136.

Christoph Frommel, "Il cantiere di S. Pietro prima di Michelangelo," in Jean Guillaume, ed., Les Chantiers de la Renaissance (1983-1984), Paris, 1991, pp. 175-190

Christoph Luitpold Frommel, "St. Peter's: The Early History," in Henry Millon and Vittorio Magnago Lampugnani, eds. The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture, Milan, 1994. pp. 399-423

Christof Thoenes, " St. Peter's 1534-46: Projects by Antonio da Sangallo the Younger for Pope Paul III," in Henry Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994, pp. 634-636

Pier Luigi Silvan, ed., San Pietro. Antonio da Sangallo, Antonio Labacco. Un progetto e un modello. Storia e restauro. Santa Maria del Fiore. Quattro modelli per il tamburo della cupola. Restauro, Milan: Bompiani, 1994, 142 pp.

Cristiano Tessari, ed., San Pietro che non c'è. Da Bramante a Sangallo il Giovane, Milan, 1996: Christof Thoenes, "Nuovi rilievi sui disegni bramanteschi per San Pietro, pp. 294-300; idem, "I tre progetti di Bramante per San Pietro," pp. 153-54; Christoph Frommel, "San Pietro,"

Marcello Fagiolo, "La basilica vaticana come tempio-mausoleo 'inter duas metas.' Le idee e i progetti di Alberti, Filarete, Bramante, Peruzzi, Sangallo, Michelangelo," in Gianfranco Spagnesei, ed., Antonio da Sangallo il Giovane. La vita e l'opera, Rome, 1986, pp. 187-210

Christof Thoenes, "Il modello ligneo per San Pietro ed il metodo progettuale di Antonio da Sangallo il Giovane," Annali di Architettura, 9, 1997, pp. 186-99

Horst Bredekamp, Sankt Peter in Rom und das Prinzip der produktiven Zerstörung. Bau und Abbau von Bramante bis Bernini, Berlin, 2000

Raphael

T. Hoffmann, Raffael in seiner Bedeutung als Architekt, 4 folio vols, Zittau, 1904-14. Vol. III is on Villa Madama.

R. Jones and N. Penny, Raphael, New Haven and London, 1983, pp. 105-11 and pp. 199-234, and p. 247f.

Raffaello architetto (exhibition catalogue), Milan, 1984, especially:
C. L. Frommel, "Raffaello e la sua carriera architettonica," pp. 13-46, and "Villa Madama," pp. 311-56; H. Burns, "Raffaello e 'quell'antica architettura'," pp. 381-96.

John Shearman, "The Chigi Chapel in S. Maria del Popolo," JWCI, XXIV, 1961, pp. 129-60.

John Shearman, The Vatican Stanze: Functions and Decorations (British Academy Italian Lecture), London, 1971.

John Shearman, "Gli appartamenti di Giulio II e Leone X," Raffaello nell'appartamento di Giulio II e Leone X, Milan, 1993, pp. 15-36.

John Shearman, "A Functional Interpretation of Villa Madama," Römisches Jahrbuch für Kunstgeschichte, XX, 1983, pp. 313-27.

Guy Dewez, Villa Madama: Memoria sul progetto di Raffaello, Rome, 1990.

Vincenzo Fontana and Paolo Morachiello, eds., Vitruvio e Raffaello. Il "De Architettura" di Vitruvio nella traduzione inedita di Fabio Calvo ravennate, Rome, 1975.

Ingrid Rowland, "Render Unto Caesar the Things Which are Caesar's: Humanism and the Arts in the Patronage of Agostino Chigi," Renaissance Quarterly, XXXIX, 1986, pp. 673-730

Mary Quinlan-McGrath, "Blosius Palladius, Suburbanum Augustini Chisii. Introduction, Latin Text and English Translation," Humanistica Lovaniensia, XXXIX, 1990, pp. 93-156

Mary Quinlan-McGrath, "The Villa Farnesina, Time-Telling Conventions and Renaissance Astrological Practice," Journal of the Warburg and Courtauld Institutes, 58, 1995, pp. 53-71

Pier Nicola Pagliara, "Raffaello e la rinascita delle tecniche antiche," in Jean Guillaume, ed., Les Chantiers de la Renaissance (1983-1984), Paris, 1991, pp. 51-69.

Paul Crossley, "The Return to the Forest: Natural Architecture and the German Past in the Age of Dürer," Künstlerischer Austauch. Akten des XXVII. Internalen Kongresses für Kunstgeschichte Berlin (1992), Berlin, 1993, II, pp. 71-80

Francesco Di Teodoro, Raffaello, Baldassar Castiglione e la Lettera a Leone X, Bologna, 1994

Wolfgang Jung, Uber szenographisches Entwerfen Raffael und die Villa Madama, Wiesbaden, 1997

Girolamo Genga

Sabine Eiche, "The Duke of Urbino's Villa Imperiale. Observations on the Facade," Apollo, March 2000, pp. 28-35

Giulio Romano

K. Forster and R. Tuttle, "The Palazzo del Te," JSAH, XXX, 1971, pp. 267-93.

E. Verheyen, The Palazzo del Te in Mantua: Images of Love and Politics, Baltimore, 1977.

Splendors of the Gonzaga (exhibition catalogue), ed. D. Chambers and J. Martineau, London, 1981.

Giulio Romano (exhibition catalogue), Milan, 1989, especially:
E.H.Gombrich, "'Anticamente moderni e modernamente antichi.' Note sulla fortuna critica di Giulio Romano pittore," pp. 11-14.
M. Tafuri, "Giulio Romano: linguaggio, mentalità, committenti," pp. 15-64.
C. Frommel, "Le opere romane di Giulio," pp. 97-134.
A. Belluzzi, "Giulio Romano architetto alla corte de Gonzaga," pp. 177-226.
H. Burns, "'Quelle cose antique et moderne belle de Roma.' Giulio Romano, il teatro, l'antico," pp. 227-46.

E. H. Gombrich, "'That rare Italian Master...' Giulio Romano, Court Artist, Painter and Impressario," and "Art and Rhetoric in Giulio Romano's Palazzo del Te," in New Light on Old Masters, Chicago, 1986, pp. 147-60 and 161-70.

B rje Magnusson, "A Drawing for the Façade of Giulio Romano's House in Mantua," JSAH, XLVII, 1988, pp. 179-184.

Christoph Frommel, "Giulio Romano e la progettazione di Villa Lante," in Eva Margareta Steinby, Ianiculum - Gianicolo. Sotria, topografia, monumenti, leggende dall'antichità al rinascimento, Rome, 1996, pp. 119-40

Claudia Conforti, "Baldassini Turini funzionario mediceo e committente di architettura," in Eva Margareta Steinby, Ianiculum - Gianicolo. Sotria, topografia, monumenti, leggende dall'antichità al rinascimento, Rome, 1996, pp. 189-98

Peruzzi

Heinrich Wurm, Baldassarre Peruzzi: Architekturzeichnungen, Tübingen, 1984

Heinrich Wurm, Der Palazzo Massimo alle Colonne, Berlin, 1965

Christoph Frommel, Die Farnesina und Peruzzis architektonisches Frühwerk, Berlin, 1961

Howard Burns, "Baldassare Peruzzi and Sixteenth-Century Architectural Theory," in Les traités d'architecture de la Renaissance (1981), ed. Jean Guillaume, Paris, 1988, pp. 207-226

Baldassare Peruzzi. Pittura scena e architettura nel Cinquecento, Rome, 1987. Especially:
Cristoph Frommel, "Baldassare Peruzzi pittore e architetto," Baldassarre Peruzzi. Pittura scena e architettura nel Cinquecento, eds. Marcello Fagiolo and M.L.Madonna, Rome, 1987, pp. pp. 21-46

A. Bruschi, "Da Bramante a Peruzzi: spazio e pittura," Baldassarre Peruzzi. Pittura scena e architettura nel Cinquecento, eds. Marcello Fagiolo and M.L.Madonna, Rome, 1987, pp. 311-337

Cristoph Frommel, "Palazzo Massimi alle Colonne," in Baldassarre Peruzzi. Pittura scena e architettura nel Cinquecento, eds. Marcello Fagiolo and M.L.Madonna, Rome, 1987, pp. 241-262

Lionello Puppi, "Il problema dell'eredità di Baldassare Peruzzi: Jacopo Melighino, il 'mistero' di Francesco Sanese e Sebastiano Serlio," in Baldassarre Peruzzi. Pittura scena e architettura nel Cinquecento, eds. Marcello Fagiolo and M.L.Madonna, Rome, 1987, pp. 491-504

Mark Wilson Jones, "Palazzo Massimo and Baldassare Peruzzi's Approach to Architectural Design," Architectural History, 31, 1988, pp. 59-106

Hubertus Günther, "Ein Entwurf Baldassare Peruzzis für ein Architekturtraktat," Römisches Jahrbuch der Bibliotheca Hertziana, 26, 1990, pp. 135-70

Christoph Frommel and Fabiano Fagilari Zeni Buchicchio, "Il Palazzo Orsini a Bomarzo: Opera di Baldassare Peruzzi," Römisches Jahrbuch der Bibliotheca Hertziana, 32, 1997/98, pp. 7-134

Serlio

Sebastiano Serlio, Tutte l'opere d'architettura, Venice, 1584.

S. Serlio, Serlio's Sixth Book: On Domestic Architecture, ed. Myra Nan Rosenfield, Cambridge, Mass. and New York: MIT Press and the Architectural History Foundation, 1979. Reprint by Dover Press, with new preface but without the Italian text, 1996

John Bury, "Serlio: Some Bibliographical Notes," in C. Thoenes, ed., Sebastiano Serlio, Milan, 1988, pp. 92-101

Until recently the only English version of Serlio was a partial translation made in 1611 from the Dutch translation of 1606, reprinted as The Five Books of Architecture, New York: Dover, 1982. But now there is a modern translation of Books I-V: Sebastiano Serlio on Architecture, trans. Vaughan Hart and Peter Hicks, volume I, New Haven and London: Yale, 1996.

Sebastiano Serlio, Architettura Civile. Libri sesto settimo e ottavo nei manoscritti di Monaco e Vienna, eds. Francesco Paolo Fiore and Tancredi Carunchio, Milan, 1994 AA520Se6511

John Onians, Bearers of Meaning, pp. 263-286

Mario Carpo, "The architectural principles of temperate classicism: merchant dwellings in Sebastiano Serlio's Sixth Book," Res 22 (1992): pp. 135-151.

Antonio da Sangallo the Younger

A. Bruschi, "Plans for the Dome of St. Peter's from Bramante to Antonio da Sangallo," Domes from Antiquity to the Present (conference 1988), Istanbul, 1988, pp. 233-251.

Pier Nicola Pagliara, "Studi e pratica vitruviana di Antonio da Sangallo il Giovane e di suo fratello Giovanni Battista," in Jean Guillaume, ed., Les traités d'architecture de la Renaissance (conference Tours 1981), Paris, 1988, pp. 179-206.

Pier Nicola Pagliara, "L'attività edilizia di Antonio da Sangallo il Giovane. Il confronto tra gli studi sull'antico e la letteratura vitruviana," Controspazio, 4, 1972, pp. 19-47.

Christoph Frommel and Nicholas Adams, eds., The Architectural Drawings of Antonio da Sangallo the Younger and His Circle, I: Fortifications, Machines and Festival Architecture, New York and Cambridge, Mass., 1994. See especially Christoph Frommel, "Introduction. The Drawings of Antonio da Sangallo the Younger: History, Evolution, Method, Function," pp. 1-60; and Nicholas Adams and Simon Pepper, "The Fortification Drawings," pp. 61-74

Christoph Frommel and Nicholas Adams, eds., The Architectural Drawings of Antonio da Sangallo the Younger and His Circle, vol. II: Churches, Villas, the Pantheon, Tombs, and Ancient Inscriptions, New York and Cambridge, Mass., 2000. See especially Arnaldo Bruschi, "The Drawings of Antonio da Sangallo the Younger at St. Peter's Under Leo X," pp. 23-32; Christof Thoenes, "St. Peter's, 1534-1546," pp. 33-43; and Manfredo Tafuri, "The Churches of Antonio da Sangallo the Younger," pp. 45-57

Review by James Ackerman in Journal of the Society of Architectural Historians, 60, 2001, pp. 348-50

Paolo Berdini, "Il Borgo al tempo di Paolo III," Arte Cristiana, 78, 1990, pp. 235-48, 325-46

Michelangelo

Ascanio Condivi, The Life of Michelangelo, trans. A. S. Wohl and ed. H. Wohl, London, 1976.

Rudolf Wittkower and Ernst Steinmann, Michelangelo bibliographie 1510-1926, Leipzig, 1927

J.S.Ackerman, The Architecture of Michelangelo, 2 vols., London, 1960-64; pb. ed. 1986. The catalogue volume of 1964, which is not part of the paperback except in very abbreviated form, is difficult but extremely rewarding reading for students on the graduate level.

P. Portoghesi and B. Zevi, Michelangelo architetto, Turin, 1964 (a tremendous collection of illustrations of all of M.'s architectural drawings)

Giulio Carlo Argan and Bruno Contardi, Michelangelo architetto, Milan, 1990; English translation Michelangelo Architect, New York, 1993.

Michael Hirst and Jill Dunkerton, The Young Michelangelo. The Artist in Rome 1496-1501, London, 1994

C. Gilbert, trans., and R. Linscott, ed., Complete Poems and Selected Letters of Michelangelo, Princeton, 1980, letters no. 44, 66, 67, 98, 100, 113, 114.

J. Wilde, Michelangelo: Six Lectures, Oxford, 1978, Ch. 5, "The Medici Chapel and the Laurentian Library," pp. 114-46.

T. Buddensieg, "Zum Statuensprogram im Kapitolsplan Pauls III," Zeitschrift für Kunstgeschichte, XXXII, 1969, pp. 177-228.

David Summers, "Michelangelo on Architecture," Art Bulletin, 54, 1972, pp. 146-57.

David Summers, Michelangelo and the Language of Art, Princeton, 1981, especially "Donatello architetto," pp. 144-63.

David Coffin, "Pope Marcellus II and Architecture," Architectura, IX, 1979, pp. 11-29.

R. Wittkower, La Cupola di San Pietro di Michelangelo, Florence, 1964.

Henry Millon and Craig Hugh Smyth, "Michelangelo and St. Peter's: Observations on the Interior of the Apses, a Model of the Apse Vault, and Related Drawings," Römisches Jahrbuch für Kunstgeschichte, XVI, 1976, pp. 137-206.

Henry Millon and Craig Hugh Smyth, "Pirro Ligorio, Michelangelo, and St. Peter's," in Robert Gaston, ed., Pirro Ligorio Artist and Antiquarian (Villa I Tatti, 10), Florence, 1988, pp. 216-86.

F.-E. Keller, "Zur Planung am Bau der römischen Peterskirche im Jahre 1564-1565," Jahrbuch der Berliner Museen, N.F., XVIII, 1976, pp. 24-56.

Howard Saalman, "Michelangelo at St. Peter's: The Arberino Correspondence," Art Bulletin, LX, 1978, pp. 483-93

Henry Millon and Craig Hugh Smyth, Michelangelo Architect: the Facade of San Lorenzo and the Drum and Dome of St. Peter's, Milan, 1988.

G. Spini, "Politicità di Michelangelo," Atti del Convegno di Studi Michelangioleschi, Rome, 1966, pp. 110-70.

Rudolf and Margot Wittkower, The Divine Michelangelo: The Florentine Academy's Homage on His Death in 1564, Florence, 1964.

Gregory Hedberg, "The Farnese Courtyard Windows and the Porta Pia: Michelangelo's Creative Process," Marsyas, 15, 1970-72, pp. 63-72.

Klaus Schwager, "Die Porta Pia in Rom," Münchner Jahrbuch der bildenden Kunst, XXIV, 1973, pp. 33-96.

Glauco Cambon, Michelangelo's Poetry, Fury of Form, Princeton, 1985.

Caroline Elam, "The Site and Early Building History of Michelangelo's New Sacristy," Mitteilungen des Kunsthistorischen Institutes in Florenz 23 (1979): pp. ****.

L.D. Ettlinger, "The Liturgical Function of Michelangelo's Medici Chapel," Mitteilungen des Kunsthistorischen Institutes in Florenz 22 (1978): pp. 287 ff.

Edith Balas, Michelangelo's Medici Chapel. A New Interpretation, Philadelphia, 1995
Michael Hirst, Michelangelo and his Drawings, New Haven and London, 1988.

William Wallace, "Dal disegno allo spazio: Michelangelo's Drawings for the Fortifications of Florence," JSAH, ***, 1987, pp. 119-134

William Wallace, "How Did Michelangelo Become a Sculptor?," in The Genius of the Sculptor in Michelangelo's Work (cat.), Montreal, Museum of Fine Arts, 1992, pp. 151-67

William Wallace, Michelangelo at San Lorenzo. The Genius as Entrepreneur, Cambridge, 1994

Christoph Frommel, "Palazzo Farnese a Roma: l'Architetto e il suo committente," Annali di architettura, 7, 1995, pp. 7-18

Howard Burns, "Building against Time: Renaissance Strategies to Secure Large Churches Against Changes to their Design," in Jean Guillaume, ed., L'Eglise dans l'architecture de la Renaissance (1990), Paris, 1995, pp. 107-31

Vasari and the Medici Granddukes
Leon Satkowski, Studies on Vasari's Architecture, New York, 1979.

Leon Satkowski, Giorgio Vasari. Architect and Courtier, Princeton, 1993.

Andrew Morrogh, Disegni di architetti fiorentini 1540-1640, Florence, 1985 (helpful review by L. Satkowski, JSAH, XLV, 1986, pp. 416-418).

Andrew Morrogh, "Vasari and Coloured Stones," in Gian Carlo Garfagnini, ed., Giorgio Vasari tra decorazione ambientale e storiografia artistica (1981), Florence, 1985, pp. 309-320.

Johanna Lessmann, Studien zu einer Baumonographie der Uffizien Giorgio Vasaris in Florenz, diss. Bonn, 1975.

Johanna Lessmann, "Gli Uffizi: aspetti di funzione, tipologia, e signifacto urbanistico," in Il Vasari: Storiografo e artista. Atti del convegno internazionale nel IV centenario della morte (1974), Florence, 1976.

Roger Crum, "Cosmos, the World of Cosimo: The Iconography of the Uffizi Facade," Art Bulletin, LXXI, 1989, pp. 237-253. (cf. letters ibid., LXXII, 1990, pp. 131-135).

Giorgio Spini, Architettura e politica da Cosimo I a Ferdinando I. Florence, 1976 (rev. L. Satkowski in JSAH, XXXVII, 1978, pp. 205f.).

Leon Satkowski, "The Palazzo Pitti: Planning and Use in the Grand-Ducal Era," JSAH, XLII, 1983, pp. 336-349.

Claudia Conforti, Vasari architetto, Milan, 1993.

Dosio

Ludwig Wachler, "Giovannontonio Dosio. Ein Architekt des späten Cinquecento," Römisches Jahrbuch für Kunstgeschichte, IV, 1940, pp. 143-251.

Buontalenti

Luciano Berti, Il principe dello studiolo. Francesco I dei Medici e la fine del Rinascimeno fiorentino, Florence, 1967.

Pirro Ligorio

E. Mandowsky and C. Mitchell, Pirro Ligorio's Roman Antiquities (Studies of the Warburg Insitute, 28), London, 1963.

Robert Gaston, ed., Pirro Ligorio Artist and Antiquarian (Villa I Tatti, 10), Florence, 1988.

David Coffin, The Villa d'Este at Tivoli, Princeton, 1960.

David Coffin, Pirro Ligorio: the Renaissance artist, architect, and antiquarian, with a checklist of drawings, University Park, PA, 2004.

David Coffin, "Pirro Ligorio on the Nobility of the Arts," JWCI, XXVII, 1964, pp. 191-210.

Graham Smith, The Casino of Pius IV, Princeton, 1977

Maria Losito, Pirro Ligorio e il Casino di Paolo IV in Vaticano. L'"essempio" delle "cose passate", Rome, 2000

Vignola
Giacomo Barozzi da Vignola, Canon of the Five Orders of Architecture, trans. Branko Mitrovic, New York, 1999

M. Walcher Casotti, Il Vignola, 2 vols., Trieste, 1960.

Milton J. Lewine, "Vignola's Church of Sant'Anna de' Palafrenieri in Rome," Art Bulletin, XLVII, 1965, pp. 199-229.

Richard Tuttle, "Il disegno White, Vignola, Villa Giulia," Casabella, 61, no. 646, June 1997, pp. 50-67

Julia Vicioso, "Il tempietto del Vignola," Bollettino d'Arte, 89-90, January-April 1995, pp. 59-110

Richard Tuttle, Bruno Adorni, Christoph Frommel, Christof Thoenes, Jacopo Barozzi da Vignola, Milan, 2002

Caprarola

Loren Partridge, "Vignola and the Villa Farnese at Caprarola, I," Art Bulletin, LII, 1970, pp. 81-

Marcello Fagiolo, "Caprarola: la rocca, il palazzo, la villa," Palladio, 1, 1988, pp. 45-66

Mary Quinlan, "Caprarola's Sala della Cosmografia," Renaissance Quarterly, 50, 1997, pp. 1045-1100

Early Renaissance Venice

David S. Chambers, The Imperial Age of Venice 1380-1580, London, 1970.

Jürgen Schulz, The Printed Plans and Panoramic Views of Venice (1486-1797), 1970.

Jürgen Schulz, "La piazza medievale di San Marco," Annali di architettura, 4-5, 1992-1993, pp. 134-156

Jürgen Schulz, "Urbanism in Medieval Venice," in Anthony Molho, Kurt Raaflaub and Julia Emlen, eds., City States in Classical Antiquity and Medieval italy, Stuttgart, 1991, pp. 419-45

Elisabeth Crouzet-Pavan, "Sopra le acque salse." Espaces, pouvoir et société à Venise à la fin du moyen age (Collection de l'Ecole Françaoise di Rome, 156), 2 vols., Rome, 1992

Wladimiro Dorigo, Venezie sepolte nella terra del Piave. Duemila anni fra il dolce e il salso, Rome, 1994

J. McAndrew, Venetian Architecture of the Renaissance, Cambridge, Mass., 1980.

T. Okey, The Old Venetian Palaces and Old Venetian Folk, London, 1907.

Norbert Huse and Wolfgang Wolters, The Art of Renaissance Venice, Chicago and London, 1990. [Die Kunst der Renaissance--Architektur Skulptur, Malerei 1460-1590, Munich, 1986]

Loredana Olivato Puppi and Lionello Puppi, Mauro Codussi, Milan, 1977.

Donatella Calabi and Paolo Morachiello, Rialto: le fabbriche e il Ponte 1514-1591, Turin, 1987.

Jean-Claude Maire Vigueur and Agostino Paravicini Bagliani, Ars et Ratio. Dalla torre di Babele al ponte di Rialto, Palermo, 1990. Especially Elisabeth Pavan-Crouzet, "La città e la sua laguna: su qualche cantiere veneziana della fine del Medioevo," pp. 32-54; Donatella Calbi, "Un grande cantiere pubblico nella Venezia del Cinquecento: il ponte di Rialto e gli stabili speculativi di San Bartolomeo," pp. 110-123.

Ralph Lieberman, "Real Architecture, Imaginary History: the Arsenale Gate as Venetian Mythology, " JWCI, pp. 117-126.

Ennio Concina, Storia dell'Architettura di Venezia dal VII al XX secolo, Milan, 1995

Richard Goy, "Architectural Taste and Style in Early Quattrocento Venice: The Facade of the Ca' d'Oro and its Legacy," in War, Culture and Society in Renaissance Venice. Essays in Honour of John Hale, eds. D. Chambers, C. Clough and M. Mallett, London and Rio Grande, 1993, pp. 173-90

Patricia Fortini Brown, "The Self-Definition of the Venetian Republic," in City States in Classical Antiquity and Medieval Italy, ed. Anthony Molho and others, Ann Arbor, 1991, pp. 511-27

Andrew Hopkins, "Architecture and Infirmitas. Doge Andrea Gritti and the Chancel of San Marco," JSAH, 57, 1998, pp. 182-97

Andrew Hopkins, "The Influence of Ducal Ceremony on Church Design in Venice," Architectural History, 41, 1998, pp. 30-48

Deborah Howard, "Venice and Islam in the Middle Ages," Architectural History, 34, 1991, pp. 59-74

Deborah Howard, "Venice as a Dolphin: Further Investigations into Jacopo de' Barbari's View," Artibus et Historiae, 35, 1997, pp. 101-111

Deborah Howard, Venice and the East. The Impact of the Islamic World on Venetian Architecture 1100-1500, New Haven and London, 2000. Review by Patricia Fortini Brown, JSAH, 60, 2001, pp. 357-59

Dalmatia

Alberto Fortis, Viaggio in Dalmatia, ed. Eva Viani, introduction by Gilberto Pizzamiglio, Venice, 1987

Maz Dvorak, "Italienische Kunstwerke in Dalmatien," Jahrbuch des Kunsthistorischen Institutes der K.K. Zentral-Kommission für Denkmalpflege, V, 1911, pp.1-3

Dagobert Frey, "Der Dom von Sebenico und sein Baumeister Giorgio Orsini," Jahrbuch des Kunsthistorischen Institutes der K.K. Zentral-Kommission für Denkmalpflege, 7, 1913, pp. 1-169

Harriet McNeal Caplow, "Michelozzo at Ragusa: New Documents and Revaluations," JSAH, 31, 1972, pp. 108-19

Milan

G. Ianziti, Humanistic Historiography under the Sforzas: Politics and Propaganda in Fifteenth-century Milan, Oxford, 1988.

J. Paoletti, "The Banco Mediceo in Milan: Urban Politics and Family Power," JMRS, 22, 1994, pp. 199-

Evelyn Welch, Art and Authority in Renaissance Milan, New Haven and London, 1995

Cynthia Pyle, Milan and Lombardy in the Renaissance: Essays in Cultural History (Testi e studi dell'Università degli Studi di Parma, n.s., 1), Rome, 1997

Siena

Judith Hook, Siena. A City and its History, London, 1979

Fabio Gabbrielli, "Stilemi senesi e linguaggi architettonici nella Toscana del Due-Trecento," L'architettura civile in Toscana. Il Medioevo, ed. Amerigo Restucci, Siena, 19**, pp. 307-67

Paolo Galluzzi, ed., Prima di Leonardo. Cultura delle macchine a Siena nel Rinascimento (cat.), Milan, 1991.

Simon Pepper and Nicholas Adams, Firearms and Fortifications. Military Architecture and Siege Warfare in Sixteenth-Century Siena, Chicago, 1986.\

Lawrence Jenkins, "Pius II's Nephews and the Politics of Architecture at the End of the Fifteenth Century in Siena," Bullettino Senese di Storia Patria, CVI, 1999, pp. 66-114

Naples

George Hersey, The Aragonese Arch at Naples 1443-1475, New Haven and London, 1973.

George Hersey, Alfonso II and the Artistic Renewal of Naples 1485-1495, New Haven and London, 1969.
Roberto Pane, Il Rinascimento nell'Italia meridionale, 2 vols., Milan, 1975.

Jerry H. Bentley, Politics and Culture in Renaissance Naples, Princeton, 1987.

Clara Gelao, "Palazzi con bugnato a punta di diamante in terra di Bari," Napoli Nobilissima, XXVII, 1988, pp. 12-28

Diana Norman, "The Succorpo in the cathedral of Naples: 'Empress of all Chapels'," Zeitschrift für Kunstgeschichte, 49, 1986, pp. 323-355

Andreas Beyer, Parthenope. Neapel und der Süden der Renaissance, Berlin, 2000

Amadeo Serra Desfilis, "'E cosa catalana'" la Gran Sala de Castel Nuovo en el contexto mediterráneo," Annali di Architettura, 12, 2000, pp. 7-16

Genoa

E. Poleggi, Strada Nuova: una lottizzazione del Cinquecento a Genoa, Genoa, 1958; 2nd ed., 1972.

George Gorse, "A Family Enclave in Medieval Genoa: The Piazza San Matteo," Journal of Architectural Education, 41, 1988, pp. 20-24.

George Gorse, "A Classical Stage for the Old Nobility: The Strada Nuova and Sixteenth-Century Genoa," Art Bulletin, 79, 1997, pp. 301-27

George Gorse, "The Villa of Andrea Doria in Genoa: Architecture, Gardens, and Suburban Setting," JSAH, 44, 1985, pp. 18-36

L. Müller Profumo, "La funzione dell'ornamento: forme e significati nella decoratzione di tre palazzi genovesi del Cinquecento," Palladio, 4, 1991, pp. 23-66

Bologna

Richard Tuttle, "Against Fortifications: The Defense of Renaissance Bologna," JSAH, XLI, 1982, pp. 180-201.

Richard Tuttle, "Julius II and Bramante in Bologna," Le arti a Bologna e in Emilia dal XVI al XVII secolo (Acts of the 24th International Congress of the History of Art, 4), ed. E. Emiliani, Bologna, 1982, pp. 3-8

Richard Tuttle, "Vignola's Facciata dei Banchi in Bologna," JSAH, LII, 1993, pp. 68-87.

Richard Tuttle, "Urban Design Strategies in Renaissance Bologna: Piazza Maggiore," Annali di Architettura, 6, 1994, pp. 39-63

Sansovino

W. Lotz, "The Roman Legacy in Sansovino's Venetian Buildings," Studies in Italian Renaissance Architecture, Cambridge, Mass. and London, 1977, pp. 140-51.

D. Howard, Jacopo Sansovino: Architecture and Patronage in Renaissance Venice, New Haven, 1975.

Antonio Foscari and Manfredo Tafuri, L'armonia e i conflitti. La chiesa di San Francesco della Vigna nella Venezia del '500, Turin
1983

Stefano Rezzi, "Palazzo Gaddi-Niccolini in Banchi," Quaderni dell'Istituto di Storia dell'Architettura dell'Università degli Studi Roma "la Sapienza"," 169-74, 1982, pp. 35-48

Thomas Hirthe, "Die Libreria des Jacopo Sansovino," Münchner Jarhbuch der Bildenden Kunst, 37, 1986, pp. 131-76

Thomas Hirthe, "Il 'foro all'antica' di Venezia: La trasformazione di Piazza S. Marco nel cinquecento," Centro Tedesco di Studi Veneziani. Quaderni, 35, 1986, pp. 28+

Sanmicheli

E. Langenskioeld, Michele Sanmicheli. The Architect of Verona, Uppsala, 1938.

Lionello Puppi, Michele Sanmichele, architetto da Verona, Padova, 1971.

Lionello Puppi, Michele Sanmicheli architetto opera completa, Rome, 1986.

Derek Moore, "Sanmicheli's Tornacoro in Verona Cathedral: A New Drawing and Problems of Interpretation," JSAH, XLIV, 1985, pp. 221-232.

Palladio

Andrea Palladio, I quattro libri dell'architettura, Venice, 1570

Andrea Palladio, The Four Books of Architecture, trans. Robert Tavernor and Richard Schofield, Cambridge, Mass. and London, 1997

Bruce Boucher, Andrea Palladio. The Architect in His Time, New York, London, Paris, 1994

Antonio Magrini, Memorie intorno la vita e le opere di Andrea Palladio, Padova, 1845.

James Ackerman, Palladio, Harmondsworth, 1966.

Paul Holberton, Palladio's Villas. Life in the Renaissance Countryside, London, 1990.

H. Burns, ed., Andrea Palladio 1508-1580: The portico and the Farmyard (exhibition catalogue), London, Arts Council, 1975.

Roberto Pane, Andrea Palladio, Turin, 1961.

L. Puppi, Andrea Palladio, 1973. English: Andrea Palladio: The Complete Works, New York, 1973.

Erik Forssman, Palladios Lehrgebäude, Stockholm, 1965.

Deborah Howard, "Four Centuries of Literature on Palladio," JSAH, XXXIX, 1980, pp. 224-241.

R. Wittkower, Architectural Principles in the Age of Humanism, part 3: "Principles of Palladio's Architecture."

G. G. Zorzi, Le opere pubbliche e i palazzi privati di Andrea Palladio, Venice, 1966.

G. G. Zorzi, Le chiese e i ponti di Andrea Palladio, Venice, 1966.

G. G. Zorzi, Le ville e i teatri di Andrea Palladio, Venice, 1968.

Wolfram Prinz, Schloss Chambord und die Villa Rotonda in Vicenza, Berlin, 1980.

Howard Burns, "Building and Construction in Palladio's Vicenza," in Jean Guillaume, ed., Les Chantiers de la Renaissance (1983-1984), Paris, 1991, pp. 191-226.

Eunice Howe, ed., Andrea Palladio. The Churches of Rome, Binghamton, N.Y., 1991

Charles Burroughs, "Palladio and Fortune: Notes on the Sources and Meaning of the Villa Rotonda," Architectura, 1989, pp. 59-91

Branko Mitrovic, "Palladio's Theory of the Classical Orders in the Fist Book of I Quattro Libri Dell'Architettura," Architectural History, 42, 1999, pp. 1-31

Branko Mitrovic, "Paduan Aristotelianism and Daniele Barbaro's Commentary on Vitruvius' De Architectura," Sixteenth Century Journal, XXIX/3, 1998, pp. 667-88

Bruce Boucher, "Nature and the Antique in the Work of Andrea Palladio," Journal of the Society of Architectural Historians, 59, 2000, pp. 296-311

Sabine Eiche, "An Unidentified Drawing by Palladio," Apollo, June 2000, pp. 22-26

Counter-Reformation

H. Hoffmann, "Die Entwicklung der Architektur Mailands von 1550-1650," Wiener Jahrbuch für Kunstgeschichte, IX, 1934, pp. 63-100.

Nancy Houghton Brown, The Milanese Architecture of Galeazzo Alessi, 2 vols., New York, 1982.

James Ackerman, "The Gesù in the Light of Contemporary Church Design," in R. Wittkower and I. Jaffé, eds., Baroque Art: The Jesuit Contribution, New York, 1972, pp. 15-28.

James Ackerman, "Observations on Renaissance Church Planning in Venice and Florence, 1470-1570," Florence and Venice: Comparisons and Relations, I Tatti Sympoisum, II, Florence, 1980, pp. 287-307.

Stefano Della Torre and Richard Schofield, Pellegrino Tibaldi architetto e il S. Fedele di Milano. Invenzione e costruzione di una chiesa esemplare, Como, 1994. AA 521 P36 D38

Klaus Schwager, "L'architecture religieuse à Rome de Pie IV à Clément VIII," L'église dans l'architecture de la Renaissance, ****, pp. 223-244

Nicola Courtright, The Tower of the Winds in the Vatican Palace: Gregory XIII and the Art of Reform, Cambridge, 1997

Philip Jacks, "A Sacred Meta for Pilgrims in the Holy Year of 1575," Architectura, 1989, pp. 137-65

Hermann Schlimme, "La facciata della chiesa del Gesù di Giacomo Della Porta: linguaggio architettonico, proporzionamento, scenografia," Palladio, 24, 1999, pp. 23-36

Giovanni Sale, Pauperismo architettonico e architettura gesuitica, Milan, 2001

VARIOUS TOPICS

Theory and the Orders

John Onians, "The System of the Orders in Renaissance Architectural Thought," in Jean Guillaume, ed., Les traités d'architecture de la Renaissance (conference 1981), Paris, 1988, pp. 169-178.

J. Onians, Bearers of Meaning: The Classical Orders in Antiquity, the Middle Ages, and the Renaissance, Princeton, 1988

Pamela Long, "The Contribution of Architectual Writers to a 'Scientific' Outlook in the Fifteenth and Sixteenth Centuries," Journal of Medieval and Renaissance Studies, 15.2, 1985, pp. 265-98

George Hersey, The Lost Meaning of Classical Architecture, Cambridge, Mass. and London, 1988.

Jean Guillaume, ed., Les traités d'architecture de la Renaissance (1981) Paris, 1988

Jean Guillaume, ed., L'emploi des ordres dans l'architecture de la Renaissance (1986), Paris, 1992

Hanno-Walter Kruft, A History of Architectural Theory from Vitruvius to the Present, London and New York, 1994

Vaughan Hart with Peter Hicks, eds., Paper Palaces. The Rise of the Renaissance Architectural Treatise, New Haven and London, 1998

Alina Payne, The Architectural Treatise in the Italian Renaissance. Architectural Invention, Ornament, and Literary Culture, Cambridge, 1999

James Ackerman, "The Aesthetics of Architecture in Renaissance," in Studi in onore di Renato Cevese, Vicenza, 2000, pp. 1-8

Christoph Frommel, "La porta ionica nel Rinascimento," in Studi in onore di Renato Cevese, Vicenza, 2000, pp. 251-92

Perspective

Martin Kemp, The Science of Art, New Haven and London, 1990.

Martin Kemp, "Geometrical Bodies as Exemplary Forms in Renaissance Space," World Art. Themes of Unity in Diversity. Acts of the XXVIth International Congress of the History of Art (1986), ed. I. Lavin, University Park and London, 1989, I, pp. 239-242.

Revival of Antique Lettering

Giovanni Mardersteig, "Leon Battista Alberti e la rinascità del carattere lapidario romano nel Quattrocento," Italia Medioevale e Umanistica, 2, 1959, pp. 285-307
Felice Feliciano, Alphabetum Romanum, ed. Giovanni Mardersteig, Verona, 1960

Millard Miess, "Towards a More Comprehensive Renaissance Palaeography," in The Painter's Choice. Problems in the Interpretation of Renaissance Art, New York, 1976, pp. 151-75

Millard Miess, "Alphabetical Treatises in the Renaissance," in The Painter's Choice. Problems in the Interpretation of Renaissance Art, New York, 1976, pp. 176-86

Ernst Gombrich, "From the Revival of Letters to the Reform of the Arts. Niccolò Niccoli and Filippo Brunelleschi," in Essays in the History of Art Presented to Rudolf Wittkower, London, 1967, pp. 71-82

Christine Sperling, "Leon Battista Alberti's Inscriptions on the Holy Sepulchre in the Cappella Rucellai, San Pancrazio, Florence," Journal of the Warburg and Courtauld Institutes, 52, 1989, pp. 221-8

Armando Petrucci, Public Lettering. Script, Power, and Culture (1980), trans. L. Lappin, Chicago, 1993

Drawings and Models

Christoph Luitpold Frommel, "Reflections on the Early Architectural Drawings," in Henry Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994, pp. 101-121

Henry Millon, "Models in Renaissance Architecture," in Henry Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994, pp. 19-73

Profession of Architecture

James Ackerman, "Architectural Practice in the Italian Renaissance," Journal of the Society of Architectural Historians 13, no. 3 (1954): pp. 3-11

Spiro Kostof, ed., The Architect: Chapters in the History of the Profession, New York, 1977

Christoph Frommel, "Introduction. Antonio da Sangallo the Younger and the Practice of Architecture in the Renaissance," in Christoph Frommel and Nicholas Adams, eds., The Architectural Drawings of Antonio da Sangallo the Younger and His Circle, II, New York and Cambridge, Mass., 2000, pp. 1-21

Painters and Architecture
Margaret Daly Davis, Piero della Francesca's Mathematical Treatises, Ravenna, 1977.

Marilyn Aronberg Lavin, "Piero della Francesca's Fresco of Sigismondo Pandolfo Malatesta before St. Sigismund," Art Bulletin, LVI, 1974, pp. 345-74.

Marilyn Aronberg Lavin, Piero della Francesca, New York, 1992

Ronald Lightbown, Sandro Botticelli, 2 vols., London, 1978.

Eve Borsook, The Mural Painters of Tuscany from Cimabue to Andrea del Sarto, 2nd ed., Oxford, 1980.

Eve Borsook and Johannes Offerhaus, Francesco Sassetti and Ghirlandaio at Santa Trinita, Florence. History and Legend in a Renaissance Chapel, Doornspijk, 1981

Licisco Magagnato, "Il Cima architetto," "A proposito della architetture del Carpaccio," in Scritti d'arte (1946-1987), Vicenza, 1997, pp. 239-47

Sylvia Ferino Pagden, "Painted Architecture," in Henry Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994, pp. 446-452

Robin Evans, The Projective Cast. Architecture and Its Three Geometries, Cambridge, Mass.: MIT Press, 1995, ch. 4, "Piero's Heads"

Christine Smith, "Piero's Painted Architecture: Analysis of His Vocabulary," in Marilyn Aronberg Lavin, ed., Piero della Francesca and His Legacy (Studies in the History of Art, 48), Washington, D.C., 1995, pp. 222-53

Mattero Ceriana, "Fra Carnevale e la pratica dell'architettura," in Fra Carnevale. Un artista rinascimentale da Filippo Lippi a Pietro della Francesca (cat.), Milan, 2004, pp. 97-135

Intarsie

M. J. Thornton, "Tarsie: Design and Designers," JWCI, XXXVI, 1973, pp. 377-82

Metropolitan Museum Bulletin, XXXVI, January 1941, sect. II, pp. 3-13 (Gubbio studiolo)

Cesare de Seta, Massimo Ferretti and Albeto Tenenti, Imago Urbis. Dalla città reale alla città ideale, Milan, 1986 FMR reproductions of intarsie with city views)

The Central Church

R. Wittkower, Architectural Principles, part one.

Georg Satzinger, Antonio da Sangallo der ältere und die Madonna di San Biagio bei Montepulciano, Tübingen, 1991.

Robin Evans, The Projective Cast. Architecture and Its Three Geometries, Cambridge, Mass.: MIT Press, 1995, ch. 1

Ephemeral and Festive Architecture

F. Cruciani, Il teatro del Campidoglio e le feste romane del 1513, Milan, 1968.

Richard Ingersoll, "The Ritual Use of Public Space in Renaissance Rome," Ph.D. diss., University of California at Berkeley, 1985

John Shearman, "The Florentine Entrata of Leo X," JWCI, XXXVIII, 1975, pp. 136-154

Bonner Mitchell, The Majesty of the State. Triumphal Progresses of Foreign Sovereigns in Renaissance Italy (1494-1600), Florence, 1986

Maria Antonietta Visceglia and Catherine Brice, Cérémonial et rituel à Rome (XVIe-XIXe siècle) (Collection de l'Ecole Française de Rome, 231), Rome, 1997

S. Bertelli and G. Crifò, Rituale, cerimoniale, etichetta, Milan, 1985

James Saslow, The Medici Wedding of 1589. Florentine Festival as Theatrum Mundi, New Haven and London, 1996

Study of the Antique: Sketchbooks and Sources

Thomas Ashby, Il libro d'Antonio Labacco appartenente all'Architettura, Florence, 1914.

Thomas Ashby, "The Bodleian MS of Pirro Ligorio," Journal of Roman Studies, IX, 1919, pp. 170-201.

Thomas Ashby, "Dessins inedits de Carlo Labruzzi," Mélanges d'archéologie et d'histoire, XXIII, 1903, pp. 375-418.

Hermann Egger, with Christian Hülsen and Adolf Michaelis, Codex Escurialensis. Ein Skizzenbuch aus der Werkstatt Domenico Ghirlandaios, 2 vols., Vienna, 1906.

Christian Hülsen and Hermann Egger, Die römischen Skizzenbücher von Marten van Heemskerck, 2 vols., Berlin, 1913-16.

Christian Hülsen, Das Skizzenbuch des Giovannantonio Dosio im Staatlichen Kupferstichkabinett zu Berlin, Berlin, 1933.

Adolf Michaelis, "Römische Skizzenbücher Marten van Heemskercks und anderer nordischer Künstler des XVI. Jahrhunderts," Jarhbuch des kaiserlich Deutschen Archäologischen Instituts, VI, 1891, pp. 125-172 and pp. 218-238.

Study of the Antique: Commentary

Christian Hülsen, Römische Antikengärten des XVI. Jahrhunderts (Abhandlungen der Heidelberger Akademie der Wissenschaften, 4), Heidelberg, 1917.

Erwin Panofsky, Renaissance and Renascences in Western Art, Stockholm, 1960.

H.J. Erasmus, The Origins of Rome in Historiography from Petrarch to Perizonius, Assen, 1962.

Michael Greenhalgh, The Survival of Roman Antiquities in the Middle Ages, London, 1989. Review by Arnold Esch, in Quellen und Forschungen aus Italienischen Archiven und Bibliotheken, 70/1990, pp. 556-572.

G. McN. Rushforth, "Magister Gregorius De Mirabilibus Urbis Romae: A New Description of Rome in the Twelfth Century," Journal of Roman Studies, IX< 1919, pp. 14-58.

Herbert Bloch, "The New Fascination with Ancient Rome," in R. L. Benson and G. Constable, eds., Renaissance and Renewal in the Twelfth Century, Cambridge, Mass. 1982, pp. 615-636.

R. Weiss, The Renaissance Discovery of Classical Antiquity, Oxford, 1969.

Richard Schofield, "Giovanni da Tolentino goes to Rome: A Description of the Antiquities of Rome in 1490," JWCI, XLIII, 1980, pp. 246-256.

R. Wittkower, ed., Disegni de le ruine di Roma e come anticamente erono, Milan, 1963.

Doris Fienga, "The Antiquarie Prospetiche Romane Composto per Prospectivo Melanese Depictore. A Document for the Study of the Relationship Between Bramante and Leonardo da Vinci," Ph.D. diss., University of California at Los Angeles, 1970.

Anne Roullet, The Egyptian and Egyptianizing Monuments of Imperial Rome, Leiden, 1972.

Phyllis Williams Lehmann and Karl Lehmann, Samothracian Reflections: Aspects of the Revival of the Antique, Princeton, 1973.

Vladimir Juren, "Politien et Vitruve (Note dur le MS. lat. 7382 de la Bibliothèque Nationale)," Rinascimento, XVIII, 1978, pp. 285-292.

Maria Horster, "Brunelleschi und Alberti in Ihrer Stellung zur römischen Antike," Mitteilungen der Kunsthistorischen Institutes in Florenz, XVII, 1973, pp. 29-63.

John Shearman, "Raphael, Rome, and the Codex Escurialensis," Master Drawings, XV, 1977, pp. 107-146.

Pier Nicola Pagliara, "Vitruvio da testo a conone," in S. Settis, ed., Memorie dell'antico nell'arte italiana, Turin, III, 1986, pp. 5-85.

Pier Nicola Pagliara, "La Roma antica di Fabio Calvo. Note sulla cultura antiquaria e architettonica," Psicon, III, 1976, pp. 137-206.

Philip Jacks, "The Simulachrum of Fabio Calvo: A View of Roman Architecture all'antica in 1527," Art Bulletin, LXXII, 1990, pp. 453-481.

Margaret Daly Davis, "'Opus isodomum' at the Palazzo della Cancelleria: Vitruvian Studies and Archaeological and Antiquarian Interests at the Court of Raffaele Riario," in Silvia Danesi Squarzina, ed., Roma, centro ideale della cultura dell'antico nei secoli XV e XVI. Da Martino V al Sacco di Roma. 1417-1527, Milan, 1989, pp. 442-457.

Margaret Daly Davis, "Zum Codex Coburgensis: Frühe Archäologie und Humanismus im Kreis des Marcello Cervini," in R. Harprath and H. Wrede, eds., Antikenzeichnung und Antikenstudium in Renaissance und Frühbarock (1986), Mainz, 1989, pp. 185-199.

George Hersey, "Greek Elements in Some Renaissance Vitruvians," ibid., pp. 435-441.

"Il 'Tempio di Romolo' al foro romano," Quaderni dell'Istituto di Storia dell'Architettura della Facoltà di Architettura dell'Università di Roma, 1980, fasc. 157-162, Rome, 1981.

Howard Burns, "Quattrocento Architecture and the Antique: Some Problems," R. R. Bolgar, Classical Influences on European Culture A.D. 500-1500 (conference 1969), Cambridge, 1971, pp. 269-287.

Tilman Buddensieg, "Criticism and Praise of the Pantheon in the Middle Ages and the Renaissance," R. R. Bolgar, Classical Influences on European Culture A.D. 500-1500 (conference 1969), Cambridge, 1971, pp. 259-267.

Tilman Buddensieg, "Criticism of Ancient Architecture in the Sixteenth and Seventeenth Centuries," R. R. Bolgar, Classical Influences on European Culture A.D. 1500-1700 (conference 1974), Cambridge, 1976, pp. 335-348.

Anthony Blunt, "Baroque Architecture and Classical Antiquity,"
R. R. Bolgar, Classical Influences on European Culture A.D. 1500-1700 (conference 1974), Cambridge, 1976, pp. 349-354.

Howard Burns, "Raffaello e "quell'antica architectura," in Raffaello architetto, eds. C. Frommel, S. Ray and M. Tafuri, Milan, 1984, pp. 381-396.

Arnold Nesselrath, "Raffaello e lo studio dell'antico nel Rinascimento," in in Raffaello architetto, eds. C. Frommel, S. Ray and M. Tafuri, Milan, 1984, pp. 397-399. "Raphael's Archaeological Method," Raffaello a Roma (1983), Rome, 1986, pp. 357-371.

Pier Nicola Pagliara, "Raffaello e la rinascita delle tecniche antiche," in J. Guillaume, ed., Les chantiers del la Renaissance (conference 1983-84), Paris, 1991, pp. 51-69.

Howard Burns, "Le antichità di Verona e l'architettura del rinascimento," in Palladio e Verona (cat.), ed. Paola Marini, Verona, 1980, pp. 103-117 and 331 f.

Howard Burns, "Pirro Ligorio's Reconstruction of Ancient Rome: the Anteiqvae Vrbis Imago of 1561," in Robert Gaston, ed., Pirro Ligorio Artist and Antiquarian, Florence, 1988, pp. 19-92.

Ian Campbell, Pirro Ligorio and the Temples of Rome on Coins," in Robert Gaston, ed., Pirro Ligorio Artist and Antiquarian, Florence, 1988, pp. 93-120.

Ian Campbell, Reconstruction of Roman Temples made in Italy between 1450-1600, Ph.D. diss., Oxford, 1984.

Arnold Nesselrath, "Codex Coner - 85 Years On," in Cassiano Dal Pozzo's Paper Museum vol. II (Quaderni Puteani 3), ed. Jennifer Montagu, London, 1992, pp. 145-167.

H. Günther, Das Studium der antiken Architektur in den Zeichnungen der Hochrenaissance, Tübingen, 1988.

Heinz Spielmann, Andrea Palladio und die Antike, Munich, 1966.

Ian Campbell and Arnold Nesselrath, "Templum Solis, Templum Fortunae, Templum Neptuni. Un problème de plans," in A. Chastel and P. Morel, eds., La Villa Médicis, Rome, 1991, II, pp. 41-53.

On Claudio Tolomei, cf.: Anthony Hobson, Apollo and Pegasus. An Enquiry into the Formation and Dispersal of a Renaissance Library, Amsterdam, 1975. pp. 37-47.

Ronald T. Ridley, "To Protect the Monuments: The papal Antiquarian (1534-1870), Xenia Antiqua, I, 1992, pp, 117-154

Hubertus Günther, "The Renaissance of Architecture," in Henry Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994, pp. 259-305

Pierre De la Ruffinière du Prey, The Villas of Pliny, Chicago, 1994

William MacDonald and John Pinto, Hadrian's Villa and Its Legacy, New Haven and London, 1995

Gardens and Villas

Claudia Lazzaro, The Italian Renaissance Garden, New Haven and London, 1990.

Claudia Lazzaro, "Rustic Country House to Refined Farmhouse: The Evolution and Migration of an Architectural Form," JSAH, XLIV, 1985, pp. 346-367.

Claudia Lazzaro, "The Visual Language of Gender in Sixteenth-Century Garden Sculpture," in M. Migiel and J. Schiesari, eds. Refiguring Woman: Perspectives on Gender and the Italian Renaissance, Ithaca, N.Y., 1991, pp. 71-113.

H. Tanzer, The Villas of Pliny the Younger, New York, 1924.

F. Colonna, Hypnerotomachia Poliphili, Venice, 1499; Hypnerotomachie ou Discours du songe de Poliphile, trans. Jean Martin and Jacques Gohorry, Paris, 1546.

O. Kurz, "Huius Nympha Loci," JWCI, XVI, 1953, pp. 171-77.

David Coffin, The Villa in the Life of Renaissance Rome, Princeton, 1979.

David Coffin, ed., The Italian Garden, Washington, D.C., 1972

John Dixon Hunt, The Italian Garden. Art, Design and Culture, Cambridge, 1996

David Coffin, Gardens and Gardening in Papal Rome, Princeton, 1991.

A. B. Giamatti, The Earthly Paradise and the Renaissance Epic, Princeton, 1966.

G. Masson, Italian Gardens, London and New York, 1961.

I. Bella Barsali, Ville di Roma, Milan, 1970.

Garden Monographs

L. Chatelet-Lange, "The Grotto of the Unicorn...Castello," Art Bulletin, L, 1968, pp. 51-58.

D. Heikamp, "La grotta grande del giardino di Boboli," Antichità Viva, IV, 1965, pp. 27-48.

D. Heikamp, "Pratolino nei suoi giorni splendidi," Antichità Viva, VIII, 1969, pp. 14-34.

L. Berti, Il Principe dello studiolo, Florence, 1967.

David Coffin, Villa d'Este at Tivoli, Princeton, 1960.

Margaretta Darnall and Mark Weil, "Il Sacro Bosco di Bomarzo: Its 16th-Century Literary and Antiquarian Context," Journal of Garden History, IV, 1984, pp. 1-94.

Sabine Eiche, "Alessandro Sforza and Pesaro: A Study in Urbanism and Architectural Patronage," Ph.D. diss. Princeton, 1983.

Sabine Eiche, "Cardinal Giulio della Rovere and the Vigna Carpi," JSAH, XLV, 1986, pp. 115-128.

A. Chastel and P. Morel, eds., La Villa Médicis, 3 vols., Rome, 1991.

George Gorse, "The Villa of Andrea Doria in Genoa: Architecture, Gardens, and Suburban Setting," JSAH, XLIV, 1985, pp. 18-36.

Maps

Robert Karrow, Mapmakers of the Sixteenth Century and Their Maps. Bio-bibliographies of the Cartographers of Abraham Ortelius, 1570, chicago, 1993

Amato Pietro Frutaz, Le piante di Roma, 3 vols., Rome, 1962

David Woodward, Maps as Prints in the Italian Renaissance. Makers, Distributors & Consumers (Panizzi Lecture 1995), London, 1996

Town Planning

Nicholas Adams and Laurie Nussdorfer, "The Italian City, 1400-1600," in Henry Millon and Vittorio Magnago Lampugnani, eds. The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture, Milan, 1994, pp. 205-231

David Friedman, "Palaces and the Street in Late-Medieval and Renaissance Italy," J.W.R. Whitehead and P.J. Larkham, eds., Urban Landscapes. International Perspectives, London and New York, 1992, pp. 69-113

David Friedman, "Monumental Urban Form in the Late Medieval Italian Commune: Loggias and the Mercanzie of Bologna and Siena," Renaissance Studies, 12, 1998, pp. 325-40

Marvin Trachtenberg, "Scénographie urbaine et identité civique: reflexion sur la Florence du Trecento," Revue de l'Art, 1993, pp. 11-31

Howard Saalman "The Transformation of the City in the Renaissance," Annali, 2, 1990, pp. 73-82

N. Rubinstein, "The Piazza della Signoria in Florence," in Festschrift Heinrich Siebenhüner, Wurzburg, 1978, pp. 19-26.

Nicolai Rubinstein, "Fortified Enclosures in Italian Cities under Signori," in War, Culture and Society in Renaissance Venice. Essays in Honour of John Hale, eds. D. Chambers, C. Clought and M. Mallett, London and Rio Grande, 1993, pp. 1-8

Franek Sznura, L'espansione urbana di Firenze nel Dugento, Florence, 1975.

Franek Sznura, "Civic Urbanism in Medieval Florence," in A. Molho, K. Raaflaub, J. Emlen, eds., City States inClassical Antiquity and Medieval Italy, Stuttgart, 1991, pp. 403-418

P. Santini, "Società delle torri in Firenze," Archivio Storico Italiano, 4 ser., XX, 1887, pp. 25-58 and 178-204.

David Friedman, Florentine New Towns. Urban Design in the Late Middle Ages, New York and Cambridge, Mass., 1988.

Etienne Hubert, Espace urbain et habitat à Rome du Xe siècle à la fin du XIIIe siècle (Collection de l'Ecole Française de Rome, 135), Rome, 1990.

Torgil Magnuson, Studies in Roman Quattrocento Architecture (Figura, 9), Stockholm, 1958, pp. 23-33.

W. Lotz, "Sixteenth-century Italian Squares," in Studies in Italian Renaissance Architecture, Cambridge, Mass. and London, 1977, pp. 74-116.

Kurt Forster, "From 'Rocca' to 'Civitas': Urban Planning at Sabbioneta," L'Arte, II, 1969, pp. 5-40.

Kurt Forster, "Stagecraft and Statecraft: The Architectural Integration of Public Life and Theatrical Spectacle in Scamozzi's Theater at Sabbioneta," Oppositions, 7, 1979, pp. 63-89.

C. Frommel, "Papal Policy: The Planning of Rome during the Renaissance," Journal of Interdisciplinary History, XVII.1, 1986, pp. 39-65. Republished in R. Rotberg and T. Rabb, eds., Art and History. Images and Their Meaning, Cambridge, 1988, pp. 39-65

Manfredo Tafuri, "'Roma instaurata.' Strategie urbane e politiche pontificie nella Roma del primo '500," in Raffaello architetto, eds. C. Frommel, S. Ray and M. Tafuri, Milan, 1984, pp. 59-106.

Manfredo Tafuri, "Strategie di sviluppo urbano nell'Italia del Rinascimento," Zodiac, I, 1989, pp. 12-43.

Hubertus Günther, "Das Trivium von Ponte S. Angelo: Ein Beitrag zur Urbanistik der Renaissance in Rom," Römisches Jahrbuch für Kunstgeschichte, XXI, 1984, pp. 165-251.

Hubertus Günther, "La nascita di Roma moderna. Urbanistica del rinascimento a Roma," in Jean-Claude Maire Vigueur, D'une ville à l'autre: structures matérielles et organisation de l'espace dans les villes européennes (XIIIe-XVIe siècle) (conference 1986), Rome, 1989, pp. 381-406.

Hubertus Günther, "Urban Planning in Rome under the Medici Popes," in Henry Millon and Vittorio Magnago Lampugnani, eds. The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture, Milan, 1994, pp. 545-549

Hildegard Giess, "Die Stadt Castro und die Pläne von Antonio da Sangallo dem Jüngerem," Römisches Jahrbuch für Kunstgeschichte, XVII, 1978, pp. 47-88; XIX, 1981, pp. 85-140.

L. Spezzaferro, "La politica urbanistica dei Papi e le origini di Via Giulia," in Via Giulia: Una utopia urbanistica del 500, Rome, 1973, pp. 15-64.

Luigi Spezzaferro, in collaboration with Richard Tuttle, "Place Farnèse: urbanisme et politique," in Le Palais Farnèse, Rome, 1981, I.1, pp. 85-123.

Manfredo Tafuri, Ricerca del Rinascimento: Principi, città, architetti, Turin, 1992.

C. Paola Scavizzi, "Le condizioni per lo sviluppo dell'attività edilizia a Roma nel sec. XVII: la legislazione," Studi Romani, XVII, 1969, pp. 160-71.

E. Iversen, Obelisks in Exile, vol. I: The Obelisks of Rome, Copenhagen, 1968.

Jean Delumeau, Vie économique et sociale de Rome dans la seconde moitié du XVIe siècle, Paris, 1957, vol. I, pp. 230-40.

Torgil Magnuson, Rome in the Age of Bernini, Stockholm, 1982, vol. I, Ch. I, "Sixtus V and Clement VIII," pp. 1-100.

La piazza del medioevo e rinascimento nell'italia settentrionale. IX Seminario internazionale di storia dell'architettura (1990), in Annali di architettura, 4-5, 1992-1993. Cf. especially the papers by Juergen Schulz, "La piazza medievale di San Marco," pp. 134-156; Richard Schofield, "Ludovico il Moro's Piazzas," pp. 157-167; Pia Kehl, "La Piazza Comunale e la Piazza Nuova a Ferrara," pp. 178-189; Hanno-Walter Kruft, "L`idea della piazza rinascimentale secondo i trattati e le fonti visive," pp. 215-229

Marilyn Aronberg Lavin, "Representations of Urban Models in the Renaissance," in Henry Millon and Vittorio Magnago Lampugnani, The Renaissance from Brunelleschi to Michelangelo. The Representation of Architecture (cat.), Venice, Palazzo Grassi, 1994, pp. 674-678

Scritti scelti di Carlo Pietrangeli, eds. A. Cipriani, D. Gallavotti Cavallero, P. Liverani and G. Scano, Rome, 1995, section VI, "Il Campidoglio rivisitato," pp. 277-378 (27 short articles)

Enrico Valeriani, "Sub proprietate. Sooria di un quartiere di Roma. Borgo Pio 1550-1850," Architettura. Storia e documenti, 1991/96, pp. 25-98

Donatella Calabi and Paola Lanaro, eds., La città italiana e i luoghi degli stranieri XIV-XVIII secolo, Bari, 1998

Fortifications

J. Hale, Renaissance War Studies, London, 1983, especially:
"The Early Development of the Bastion: an Italian Chronology," pp. 1-29.
"The End of Florentine Liberty. La Fortezza da Basso," pp. 31-62.

John Hale, Renaissance Fortification: Art or Engineering?, London, 1977.

H. De la Croix, "Military Architecture and the Radial City-Plan in Sixteenth Century Italy," Art Bulletin, XLII, 1960, pp. 263- .

H. De la Croix, "Palmanova, a Study in Sixteenth-Century Urbanism," Saggi e memorie di storia dell'arte, V, 1966, pp. 23-41.

Nicholas Adams and Simon Pepper, Firearms and Fortifications: Military Architecture and Siege Warfare in Sixteenth Century Siena, Chicago and London, 1986.

Nicholas Adams, "L'architettura militare di Francesco di Giorgio," in Francesco di Giorgio architetto (cat.), Milan, 1993. pp. 126-162.

Amelio Fara, La città da guerra nell'Europa moderna, Turin, 1993.

Simon Pepper, "Planning versus fortification. Sangallo's project for the Defence of Rome," Architectural Review, March 1976, CLIX, pp. 162-169

Simon Pepper, "Fortress and Fleet: The Defence of Venice's Mainland Greek Colonies in the Late Fifteenth Century," in War, Culture and Society in Renaissance Venice. Essays in Honour of John Hale, eds. D. Chambers, C. Clought and M. Mallett, London and Rio Grande, 1993, pp. 29-56

Engineering

William Barclay Parsons, Engineers and Engineering in the Renaissance, Cambridge, Mass., 1939. Reprint 1976

Bertrand Gille, Engineers of the Renaissance, Cambridge, Mass., 1966

W.H.G. Armytage, A Social History of Engineering, Cambridge, Mass., 1961

Frank Prager and Gustina Scaglia, Mariano Taccola and His Book De Ingeneis, Cambridge, Mass. and London, 1972

Hélène Vérin, La gloire des ingénieurs. L'intelligence technique du XVIe au XVIIIe siècle, Paris, 1993

Paolo Galluzzi, Renaissance Engineers From Brunelleschi to Leonardo da Vinci (cat.), Florence, 1996

Theater

Elvira Garbero Zorzi and Mario Sperenzi, eds., Teatro e spettacolo nella Firenze dei Medici. Modelli dei luoghi teatrali (cat.), Florence, 2001

Materials, Color, Restoration

Francesco Rodolico, Le pietre delle città d'Italia, Florence, 1965

Steven Ostrow, "Marble Revetment in Late Sixteenth-Century Roman Chapels," in M. A. Lavin, ed., IL 60: Essays Honoring Irving Lavin on his Sixtieth Birthday, New York, 1990, pp. 253-276.

Suzanne Butters, The Triumph of Vulcan. Suclptors' Tools, Porphyry and the Prince in Ducal Florence, Florence, 1996

Georgia Clarke, "Paul III and the façade of Casa Crivelli in Rome," Renaissance Studies, III, 1989, pp. 252-65

Jean Guillaume, ed., Les chantiers del la Renaissance (conference 1983-84), Paris, 1991. Especially H. Burns, "Building and Construction in Palladio's Vicenza," pp. 191-226; C. Frommel, "Il cantiere di S. Pietro prima di Michelangelo," pp. 175-190; Pier Nicola Pagliara, "Raffaello e la rinascita delle tecniche antiche," pp. 51-69.

Stefan Kummer, Anfänge unde Ausbreitung der Stuckdekoration im römischen Kirchenraum (1500-1600), Tübingen,

Antonio Forcellino, "Leon Battista Alberti e la nascita di una nuova cultura materiale," Ricerche di storia dell'arte, 41-42, 1990, pp. 9-22; "La diffusione dei rivestimenti a stucco nel corso del XVI secolo," pp. 23-51; "Il problema delle cortine laterizie nell'architettura della prima metà del Cinquecento," pp. 52-75.

Elisabetta Pallottino, "'Incrostature romane' tra Cinquecento e Seicento," Ricerche di storia dell'arte, 41-42, 1990, pp. 76-108; "Il Neocinquecento nei rivestimenti dell'architettura," pp. 109-128; "Colori di Roma," pp. 129-149.

Elisabetta Pallottino, "Il vero e il falso XVI secolo nei rivestimenti dei palazzi romani. Esempi di valutazione e nuove interpretazioni tra sette e ottocento." Quaderni, N.S. fasc. 15-20, 1990-92 (Saggi in onore di Renato Bonelli), II, pp. 799-812.

Kristina Herrmann Fiore, "Il colore delle facciate di Villa Borghese nel contesto delle dominanti coloristiche dell'edilizia romana intorno al 1600," Bollettino d'Arte, 48, 1988, pp. 93-100

A.M. Giusti, Pietre Dure: Hardstone in Furniture and Decoration, London, 1992

Robert Senecal, "The Caetani Chapel in S. Pudenziana, Rome. Late Sixteenth-Century Chapel Decoration," Apollo, July 1995, pp. 37-43

Stefan Kummer, "Antiker Buntmarmor als Dekorationselement römischer Kirchere im 16. Jahrhundert," in Antike Spolien in der Architektur des Mittelalters und der Renaissance, ed. Joachim Poeschke, Munich, 1996, pp. 329-39

Rolf Michael Schneider, "Coloured Marble: The Splendour and Power of Imperial Rome," Apollo, 154, July 2001, pp. 3-10